From the real and the imagined nothing more elemental than human acceptance of the unknown trying to do everyday: the imagination not only creates, they say, combines and examines what other races created in other circumstances. But it happens that when this combinaciny this review are detailed, eloquent and evocative, the imagination is emancipated from all control, looks, not without the unexpected tenderness and aims to create another reality, safe and aware of their creativity. When the imagination travs combine precise interests and avatars premeditated, albeit by accident, often the same imagination-always-turbulent and unpredictable course and is a favored set recreates the fantasy, and results in something quite new, something that is original. No canons or default axioms for the creation, only rules, examples will leave no room for doubt This is the combination that is achieved by linking compelling reality of the experience of a photographer, used to seeing reality as it is and sometimes (only sometimes) recreate-with a poetic imagination and based essentially on a daily basis, an individual whose expertise lies in drawing, illustration, printmaking and painting. In the first case, the subject of the action the photographer-known fact, see, the creative captures according to your needs and maybe the transform, the other subject proceeds from the other bank, your actually stems from the observation as it happens the first-born recreated and asse but transmuted into virtual forms, maximum if you attend a great ability to fantasize. Gejo Gabriel Mateos and Juan Vicente Rodrguez Bonachea Spanish one, the other Cuban-yldrico form this versatile duo that plays hacindolas reality and fantasy combine in some way match the level of discourse dimensional pictorial: the read and the canvas. In the loans made between poetic, Gejo-the photographer-enters the fray with an idea proposicin, curious ycmplice, borrowed from reality (one breast, the Cathedral of Havana, Havana malecn ) and is prepared to expect the unexpected. Bonachea assumes the initial image as forced standing, and she displays her prodigious fantasy, convincing her imaginary world full of busy and sublimely metamorphosed beings who never shy away from its link with the animal or plant world, and underscore the urgency of the parfrasis. The end result is different. Paradoxically unites both creators converging interests but that everyone resolved their issues with the tools of his specialty: light (real, imagined or virtual), the anecdotal, circumstantial, parable, THE INVENTION No, the second readings, the neatness of the image represented. All this and much more-contained in these paintings pletricos of the best and most everyday fantasy, whose uniqueness lies in the subtle and alleged inconsistency in the titles of their works. Convergent is grief, timely, casual, reality and imagination, worlds that disrupt kindly pray in the reality of the imagination, now in the imagination of the real possession in the boundaries m s authentic art. Naranjo Otero Dr. Concepcion College of Arts and Letters, University of Havana, Havana, June 2006.
Spain
